filled with cava bottles
This is a process involving the addition of selected yeasts and sugar to still wine, which leads to a natural effervescence. The bulk of cava made in Spain is from the region of Catalonia. As per law, only sparkling wine produced from select regions in Spain can be called cava. The major grapes used to make cava are traditional varieties like xarello, macabeo and parellada, although classic grapes like pinot noir and chardonnay are also used. CodornÃu grows a fair amount of their own grapes, and the rest is sourced from contract farmers.
It also came as a surprise to learn that although the CodornÃu family began making wine in 1551, it wasnâ€™t until 1872 that the first bottle of cava was produced. Back in 1659, Anna CodornÃu married a wineÂ grower named Miquel RaventÃ³s (now the name rings a bell!) which resulted in a change in theÂ family name. In 1872 with the phylloxera pest sweeping the land and destroying vineyards, Josep RaventÃ³s i FatjÃ³, visited the Champagne region. He then hit upon the idea of making a sparkling wine similar to that of Champagne and gave it a name which paid tribute to the vast subterranean caverns in which the wineÂ lies maturing. And if it was Josep who played a pioneering role in creating the first cava, it was his son Manuel RaventÃ³s Montserrat FatjÃ³, who inherited the family business and played a stellar role in popularizing cava. So although the name on the winery outside is CodornÃu, the group itself is called the CodornÃu RaventÃ³s group.
Cut to modern times and thereâ€™s an interesting twist to the tale. Josep Maria RaventÃ³s i Blanc decided to sell his share of CordonÃu in 1986, retaining select vineyards for the newly created RaventÃ³s i BlancÂ estate. In 2012, this branch of the family, represented now by Pepe RaventÃ³s, decided to leave the Cava DO appellation to create a new, terroir-driven appellation, Conca del Riu Anoia. They believed they could create aÂ higher quality of wine this way, with one of the main characteristics being the sole use of indigenous grape varieties like xarel-lo, parellada, macabre and monastrell. I wish I had known this on my visit to CodornÃu, as a visit to Raventos would have made an interesting side trip.
Art aficionados familiar with the works of Antoni Gaudi, will know his importance in shaping the architecture of Barcelona.Â Gaudi was one of the foremost proponents of the art nouveau movement in which art and architecture drew inspiration from the world of nature. It was a movement that reached its peak between 1880 and the First World War. A short span of time, no doubt, but still a period which produced remarkable works. CodornÃuÂ was not immune to its influence either, for Manuel RaventÃ³s (who was responsible for putting cava on the map,) hired an architect, Josep Puig i Cadafalch, a contemporary of Gaudi, to design the new winery.
After the film, we are spirited away in a mini-train that chugs its way across the large estate. From here we take in the sweep of the beautiful winery buildings set against the backdrop of vineyards and mountains. OurÂ first stop is at the Celler Gran museum and winery, where ancient winemaking equipment has been immaculately preserved. A healthy respect for oneâ€™s heritage is a good argument for businesses to stay in the same family for long periods of time. The old mix with the new, as we are invited to an aroma table toÂ guess each major grapeâ€™s aroma wafting up from a narrow tube. The tour so far has been fascinating, and it comes as no surprise that CodornÃu has been the winner of several wine tourism awards and played host to over 80,000 visitors in 2016.
The highpoint of the tour is the tasting. We descend into the cellars which stretch for many miles underground. This is where cava undergoes its second fermentation and is matured. Although the cellars go back to a distant past, they are in an immaculate state of preservation like everything else weâ€™ve seen, with rows and rows of bottles of wine ageing.
Miraia, sensing that the groupâ€™s thirst is mounting, escorts us into another part of the cellar, where glasses of cava have been poured.Â One is a Gran CodornÃu Vintage Pinot Noir, which is a lovely, rosÃ© brut, and the other if my memory serves me right was the Gran CodornÃu Chardonnay. RosÃ© cava, first launched in 2002 is another of the companyâ€™s innovations.
Cava Anna de Codorniu Blanc de Blancs Reserva
CodornÃu now produces a large number of different types of cava, organized in multiple ranges. Thereâ€™s the Anna de CodornÃu range, named after the CodornÃu dynasty heiress, notable for chardonnay as part of the blend for the first time, along with three traditional Spanish grapes. And then there is a rosÃ© cavaÂ featuring pinot noir. Thereâ€™s also an Anna Blanc de Noirs, a white cava made from 100% pinot noir.
At the top end, CodornÃu has Finca La Fideuera, a limited production (300 bottles only) cava that has been aged for 90 months, Finca El Tros Nou, from a vineyard located in one of the coldest zones in the cava appellation and Finca La Pleta, also a limited production cava. The range is filled out by several moreÂ cavas, including the Gran CodornÃu range, which has a separate chardonnay and pinot noir expression.
A glass of each of the Gran CodornÃu range was on offer, with a few extra on the tray. I took the opportunity to have another glass of the rosÃ© which was so good that I decided to buy a bottle from the shop on theÂ way out.
I walked back with my purchase to the train station to catch the ride back to Barcelona, a journey that took me under an hour. And, all in all, I could think of no better way to raise a toast to the resurrection of Jesus Christ this Easter Sunday than with a Gran CodornÃu.
This article appeared in Sommelier India Wine Magazine, September â€“ October 2017